Here’s a fresh tune I did this morning, I hope you like it.
tobiah - level 1729
Mar 10
I love your music (music video)
This track represent the first breakthrough I made on the chip music scene. It was originally only 1:28 minute long. (The part when a speech synthesis sings was added later.) It was made as a demonstration song for my brother (Daniel Viksporre) and his MIDI sync device that he made and sold for the Game Boy and LSDJ music software. This was back in 2001 i think.
Later a music radio station in London (I don’t remember which) had downloaded this demo song and had played it several times and emailed me if I had a longer version. That was when I decided to build the longer version that is released on micromusic.net
The first music video on this page was directed by E*Rock of Wyld File. www.wyldfile.org Who also directed a video for Beck. The second was made by me (Tobiah) as an introduction for the CD compilation “Boy Playground” which the track was released on.
29
Mar 10
How to make OS X sing
Here we go, my first post on this fresh blog.
Here is the result of an experiment that I did. The first chorus is with vocoder and the second without for comparison.
tobiah - even machinesThis is what I used to make the track. This not an absolute, other set-ups works as well but with different methods.
- OS X Snow Leopard (For speechsynthesis and OS)
- Ableton Live 8
- Chipsounds (For the C64 lead and Carrier on the Vocoder)
- MicroTonic (Drum synthesizer)
- Synplant (Pads and Bass)
In the Terminal application, write the following:
say “I am the robot”
This makes OS X’s synthesis to speak out loud, but if you add the following, it will write the audio to a file with the name you specify. (I used the file ending *.aac because it was the only format I got to work)
say -o “audiofile.aac” “I am the robot”
Now you can make short samples of synthesized speech that you can include in your music projects.
What I did after that was to import the speech into Audacity and convert it to AIFF format so that I could import it into Live 8. In Live 8 you have a function to stretch and beatmatch transients. So it doesn’t matter so much that the output from the OS X speech synthesis isn’t made for musicmaking.
A general tip about vocoders that I picked up from Kraftwerk, is that if you use an EQ on the voice (modulator) and add gain to the higher portion of the audio frequency range. You will get a much clearer sound.